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FLEXO Magazine : May 2011
FTA TODAY through college, and co-founded Green Eggs and Sam in the 1990s. Today, he writes original music that is incorporated into Runnin’ Late’s repertoire. Fellow flexographer and college buddy Herb Schwartje, general manager at Bizerba Label Solutions, Inc., in Forest Hill, MD, remains close to Mark personally and professionally. He notes how Samworth’s songs reflect their author ’s mind. “One of them, which his band plays during their gigs, is pretty darn good. It’s called ‘The Outliers,’ and finds its roots deep in Mark’s analytical, statistical, mathematical mind,” he says. “Mark is a big Bruce Springsteen fan, and of course [he likes] many of the other 1970s rockers. But he’s also a jazz enthusiast, with Miles Davis, Dave Brubeck and Chet Baker being some of his favorites,” he adds. At the Podium 1995 Standardization of Color Space 1996 State of Digital Prepress in Flexography New Way of Thinking: Standardization vs. Optimization 1997 Stochastic Screening 1998 Digital Plate Capping 1999 Dot Gain Compensation 2000 Highlight Dot Printing 2001 Project FOG 2002 Dot Gain and Variation 2003 Logical Division of Work Between Prepress and Converter 2004 Past, Present, Future of Hybrid Screening 2005 Expanded Gamut Process Printing 2006 Holy Dots! Who Said Halftone Dots Should be Solid? 2007 Preferred Color Reproduction and Expanded Gamut 2008 A New Look at an Old Topic—Prepress Curves and Quality Control 2009 The Tipping Point for Expanded Gamut Printing 2010 Print Buyers, Graphics Requirements, Printers and Flexo vs. Other Technologies 2011 Aim, Tune and Synchronize: A Look at Matching a Specification for Non-Standard Print Conditions Mark, playing his bass with band “Runnin’ Late.” Melissa and Julia with Mark. L-R: Snorkeling in Cayman Islands with young daughters Melissa and Julia. Enjoying a Phillies game with daughter Melissa. Mark with dog Kelly as a puppy. 136 FLEXO MAY 2011 www.flexography.org
Sustainable Spring 2011